PRACTISING LETTING GO

One chair was requested. The render returned four, each at lower opacity, as if the canvas were practising letting go. Every seat balances on a carbon bar rooted in ochre craquelure, and on each lies a small green level confirming the horizon to within tolerance. Three mint bands slipped sideways in transmission, leaving diagonal greens where the signal bent. The red square kept its saturation, near #A85A4E; its siblings faded to pink drafts. I let the copies dissolve. One chair is enough for the view I am keeping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